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On the shelf in the bookstore, Rebecca Goldstein's work of fiction, 36 Arguments for the Existence of God: A Work of Fiction, looked like it promised to be a meaty and entertaining philosophical novel on a topic that has had high public profile in recent years. But it was a disappointment. Cass Seltzer (get the joke – Alka-Selstzer – there are lots of these), the main protagonist of the novel, is a psychologist who has leapt to fame following the publication of his book The Varieties of Religious Illusion. He has been called ‘the atheist with a soul’ by the media and his approach to religion has resonated with a wide readership. As the novel progresses, we meet various people Cass knows including a philosopher who has very strong delusions of grandeur. As the story tediously meanders through 344 pages Cass develops a relationship with a six-year-0ld mathematical wizard who is part of a fundamentalist sect and who is destined to become its leader. There’s also a past lover that turns up who is pursuing immortality. These are just a few of the many characters populating the story, none of whom we really come to feel much care for. Cass, his philosophical mentor, and his love interest, and the math genius are really the only characters that are developed with any degree of depth. According to the author’s comments on Amazon.com, because ‘Arguments alone can’t capture all that is at stake for people when they argue about issues of reason and faith’, she wished to … place in fiction, in its power to make vividly present how different the world feels to each of us and how these differences are sometimes what is really being expressed in the great debates of our day on the existence of God. Unfortunately, 36 Arguments suffers from the author’s uninhibited exploration into all sorts of esoteric subjects which distract from the narrative arc of the book and mostly prove how clever and knowledgeable she is. There is a tenuous relationship between these forays of obtrusiveness and the theme of religious experience. If you read the book, keep a dictionary handy! It’s almost unreadable at times and I have to admit to skipping a few chapters during the last third of the book. I did appreciate Chapter 34 which describes a debate between Cass and a Christian apologist which articulates the nature and basis of a secular morality wrapped within an argument on the existence of God. I was relieved to arrive at this chapter as the essential perspective of the author coalesced in a moment of clarity. In case my readers jump to the conclusion that I am biased against this book because I am a theist and it essentially argues against the existence of God, I hasten to tell you that the Appendix following the story is worth the price of the book! In this appendix, Goldstein outlines 36 arguments often used in support of the existence of God. For each one, she identifies the significant flaws that undermine their power. This is done concisely, articulately, and, at times, with wit. Anyone wishing a brief summary of the best arguments and counterarguments on the existence of God will find this very valuable and deeply thought provoking. It is a shame the novel itself did not have these same characteristics.
Animal Kingdom A very compelling Australian drama of a family caught in the web of crime. Very moving. Positive Review ‘It's a remarkable film: A gritty, gut-churning, crime thriller based on a true story. Its greatness lies in its unwavering fidelity to human nature and the unstoppable laws of the wild.’ – Amy Biancolli/San Francisco Chronicle Negative Review ‘Michôd wants a Greek epic but doesn't have the material. Animal Kingdom is a work of obvious ambition, and seeing a debut filmmaker swing for the fences like this is its own kind of moviehead satisfaction.’ – Michael Atkinson/Village Voice Get Him to the Greek Some funny moments but not really impressed. Positive Review ‘So comically fertile and yet so grounded in the reality of its characters that it's really a kind of marvel.’ – Mick La Salle/San Francisco Chronicle Negative Review ‘This final act goes on far too long and devolves into such a miasma of pap that it's clear Stoller had no idea how to wrap things up.’ – Marc Mohan/Portland Oregonian
What a lovely title for a movie – The Loved Ones. But don’t be misled! This Australian movie is one of the most shocking revenge horror movies to come along for a long time. Six months have passed since Brent (Xavier Samuel) has lost his Dad in a car accident he caused. He is riddled with guilt and has immersed himself in metal music, drug use, risk-taking behaviour and is a complete mess. But he is still the most eligible young guy in high school. Holly (Victoria Thaine) has agreed to go with Brent to the upcoming school prom. Holly recognises the despair that Brent is experiencing but is prepared to take on this relationship because she can see beneath the surface. But Holly is not the only one interested in Brent. Lola (Robin McLeavy), an angelic, sweet, vulnerable young girl also asks him out and, of course, Brent says no. Big mistake! Lola and her Daddy (John Brumpton) have their own prom celebrations planned for Brent. They kidnap him and drag him off to their quaint little house on a farm where the party consists of torturing poor Brent with knives, injections of Drano, electric drills, psychological abuse, and actions that just cannot be described here. While all this is happening, we are shown a series of flashbacks and parallel subplots that eventually come together in a loose sort of way. As a genre movie, The Loved Ones is far superior to the torture movies coming out of the US like the Saw franchise and Hostel (which I have never seen but the trailers tell it all!). The Loved Ones adds a layer of serious teen issues like grief, loneliness, desperation for meaningful friendships, and guilt which propels this genre into new territory. Within that wrapping, however, is some very twisted, perverse, shocking torture which some have suggested verges on “torture porn”. As an example of the revenge horror genre, it is better than most. But I definitely do not recommend it! Technorati Tags: "The Loved Ones"
There's a lot of nonsense spoken in the name of God/Jesus. I'm sitting in a bookshop next to a table where there are two guys having a conversation. One of them is telling the other about a talk he's giving to some young people on the upcoming weekend. Here's the essence of his talk:
Friends are unreliable. We may expect them to satisfy our needs but they never live up to our expectations. The only friend that can bring complete satisfaction is Jesus. If I found myself on a desert island with no other people (friends) I could experience complete satisfaction because I would have the perfect friend in Jesus. Adam and Eve, in the Garden of Eden needed no one else but God to speak with. So that is all anyone needs. So if I find that my friends are letting me down, remember: they are fallible. Jesus is completely reliable and is the only friend I really need to be completely satisfied.
This is, of course, complete nonsense for the following reasons:
It completely ignores what we know about relationship needs from psychology. Humans have a fundamental need for relationship with other humans. This includes a profound need for physical touch, without which humans cannot thrive.
If one is going to use the Eden story to support the complete fulfillment of a person with God alone, one could just as easily argue that God making a couple after not finding a partner suitable for Adam from the animal kingdom, demonstrates that true fulfillment comes as a result of human relationship. Adam's initial aloneness is conveyed as something that needed to be rectified. That is why the story has God making Eve with the narrative culminating in them meeting and Adam celebrating their union.
The whole Bible sees community as core to faith. It is only in the modern West that individualism has become so dominant as the norm. The New Testament is shot through with the communal basis of faith with metaphors of relationship. While Jesus is most certainly described as the matrix within which these relationships exist, there is constant advice to love, support, and encourage one's family, "family", and neighbors.
What makes the plans of the speaker to give young people such thoughtless advice is the obvious irony of the situation.
Firstly, the guy was married! Clearly, Jesus wasn't enough for him! After his talk to the youth he could go home and cuddle up to his wife. What right does he have to stand before kids who may be aching with loneliness and say Jesus is the only friend you really need and then go and satisfy his own human needs for relationship by being married?
And he wasn't alone at the table (obviously). He and his conversation partner were obviously close friends. So here he was putting together a message that Jesus is completely satisfying in an intimate friend relationship!
And all this happened to take place in a Christian bookstore coffee shop. Do you think that, as I looked around, I saw people all sitting at tables by themselves with looks of complete satisfaction as they communes with an invisible Jesus? Not at all. Every table (other than one) had at least two people leaning forward sharing conversation together.
What response would this speaker likely get standing up to pontificate to lonely kids that then only friend they need is Jesus who will bring them complete satisfaction?
Christians throughout history have been isolated from their communities for all sorts of reasons - persecution, accident, circumstances. Imagine a Christian shipwrecked on an island and completely alone. Have any in such circumstances refused rescue because they have found complete satisfaction in Jesus? Certainly many in these situations would describe God as sustaining them through ordeal. But it is an ordeal because it is a not how humans are made to exist.
We need to get real with our spiritually vacuous advice to people. Apart from the mystics who deliberately went against their human nature and isolated themselves to commune with God alone, I know of no one would choose a life cut off from others.
Surely a message to these young people would be that we are made for relationship. And if you are feeling lonely and neglected and isolated, we are here for you; we will genuinely listen to you; and we will support and encourage you while you learn to relate to others, develop friendships, and navigate the rou sea of living with other flawless people. A satisfying relationship with Jesus will only occur if it is enfleshed in real people who love and accept the lonely and marginalized in the same way Jesus did. Let's hope those young people the presenter was planning to speak to don't leave depressed, disillusioned -- and lonely.
Summer Coda is a languid, relaxing, summer movie set in Mildura’s (Victoria, Australia) stunning orange groves. Heidi (Rachael Taylor) is travelling back from the US to her birth place to attend her estranged father’s funeral. She hasn’t spoken to him since she was seven. She needs to bring this part of her life to a close. As she hitchhikes her way there, she is picked up by Michael (Alexis Dimitriades) and a friendship forms. After the tense funeral and subsequent wake, Heidi decides to stay on for a while to work through her emotions, relationships with family, and the deepening romance between her and Michael. She is employed on Michael’s orange grove as a picker. As she works alongside the regular itinerant fruit pickers, an undercurrent of tension mounts which confuses Heidi. Something is not right and she doesn’t know what it is. Summer Coda is a very slow, gentle, beautifully nuanced story where most of the action is emotional and character-driven. It’s about grief, relationships, and the struggle to resolve pasts that haunt us. Taylor and Dimitriades are both good in their roles and the relationship they form is believable. While it is a good movie, it does tend to lose momentum at times. It’s a thoughtful story and provides a refreshing relief from the more sensational fare on offer. It may be one you choose to wait for on DVD.
Iron Man 2 Positive Review ‘Iron Man 2 sets gold standard for sequels thanks to Robert Downey Jr.'s Stark performance.’ – Joe Ne Harry Brown
I usually enjoy books that describe the spiritual/religious journeys of people. But LouAnne White’s Out of Eden – From Adventist to Atheist doesn’t quite achieve the qualities it needs to make it worth the price. I will approach this review by addressing two aspects of the book: the personal journey of the author; and the quality of the book. The Personal Journey Out of Eden tells the story of LouAnne White as she journeyed from Seventh-day Adventism to her current position of atheism. Her story is deeply moving as she recounts experiencing what she labels child abuse. She writes: Growing up in Adventism or in many religions where a religion is pushed upon a child’s mind to be absolute truth is in my experience a form of emotional and psychological child abuse. (p. 14) White describes how, for example, her father would tell his children, when they were young kids, ‘that there were bears under our bed in order to keep us from getting out of bed at nighttime.’ (p. 15) She was taught that God’s love is conditional on being good. For White, her upbringing occurred in … a very controlled and legalistic environment. Besides feeling guilt and shame from believing that God was judging me on a constant basis and determining my salvation based on my performance there was also the threat of judgment and hell fire that was used to control our actions. It was emotional blackmail. (p. 16) White also describes how some of the unique doctrines of Adventism, such as the endtime scenarios arguing that Sunday laws would come in and persecution and death could result by not keeping Sunday as the Sabbath, led to a fearful relationship to God and religion. After exploring the ideas and experiences that provided her with a very negative view of God and religion, White tells us how she went ‘from one extreme to another’ and, like the prodigal son, sewed her wild oats in the ‘”sinful world”’. Her “rebellion”, however, resulted in mounting feelings of guilt which led her to intermittently return to church, be rebaptised, only to leave again. Guilt and perfectionism sent her from bad to worse as she returned to the writings of Ellen White, Adventism’s prophetess. On the basis of her writings, she joined an extreme, cultic offshoot of Adventism that emphasised perfectionism and the keeping of a long list of rules derived from Ellen White’s writings. LouAnne documents about 43 of these rules covering just about every aspect of life — eating, drinking, dressing, sex, and on and on. Her marriage to a member of this cultish form of Adventism, initially believed to be an “equally yoked” marriage, turned out to be hell as her husband emotionally abused her under the guise of religious piety. LouAnne always had a desire to find the truth. And so she begins to study into the early history of Adventism and discovers what many had before her — the tendency of Ellen White to use her authority to control people and discourage them from questioning her writings. Quotes from Ellen White were read to LouAnne such as: It is Satan’s plan to weaken the faith of God’s people in the Testimonies (the “testimonies” were her [Ellen White’s] writings (sic) Next follows skepticism in regard to the vital points of our faith, the pillars of our position, then doubt as to the Holy Scriptures and then the downward march to perdition.” Quotations like this clearly strike fear into the heart of someone who wishes to think and question their faith. But LouAnne persisted in her search, discovering the many Adventist leaders and theologians who have been evicted from the denomination or defrocked of ministerial credentials for their questioning of official doctrine, including Desmond Ford in the 1970s and ‘80s. Finally, she leaves Adventism and then, as she continues to explore and discover, she realises, at age 50, she has moved away from religion altogether and adopted atheism. LouAnne describes how she struggles with old emotions and, in particular, the difficulties dealing with family members and others who are intolerant of her thinking and deciding for herself. LouAnne’s journey is an interesting one and many who have travelled a similar journey will no doubt relate to her story. And it certainly raises issues about the nature of some forms of religion that are fundamentalist, sectarian, legalistic, and cultic in their approaches. Her story also shows how a person may experience severe emotional consequences, such as depression, for many, many years. For all these reasons, there are many worthwhile aspects to this book. The Quality of the Book While the above positive aspects of the book can be identified, overall, the book is of a very poor quality and standard. Essentially, it needs a good editor to guide the writing and publication. It is full of grammatical and formatting errors that make the book irritating to read. It is clearly self-published and suffers for it. The presentation of the book is amateurish. More seriously, in those places where White discusses the information she based her decisions on, much of the text is either a direct copying of source material or “dot-pointed” noting. While all of this material is acknowledged, it means the personal dimension of the journey is lost, apart from a few comments here and there by White herself. In the chapter on ‘The Origin and History of Religion’, the major source is D M Murdoch’s (aka Acharya S) Origins of Christianity and the Quest for the Historical Jesus. There are pages of material uncritically excerpted and presented as dot points to the reader. Acharya S believes that Jesus was not a historical figure and that Christianity’s construction of Jesus is based on a range of pagan myths from various cultures. Nothing new in that. However, relying on Acharya S to make decisions about factual matters may not be very wise. She has been widely criticised, even by skeptics like Richard Carrier and Robert M Price (who also, by the way, believes that Christ was a mythological figure). So her ideas and theories are, to say the least, contentious, even from the point of view of those who agree with the idea of a mythological Christ. The point here is that the material offered by White as evidence she considered in her move from Christianity to atheism is highly questionable. At least, to be fair minded, White should offer a critical view of this material. White also cursorily surveys various reasons to abandon Christianity. Rather than articulate her own reasons, however, she summarises a pamphlet by Chaz Bufe, a contemporary anarchist author (according to Wikipedia). The summarised criticisms of Christianity are sweeping generalisations with no careful distinction or criticism made about them. For example, ‘Christianity is based on fear.’ Well… certainly, much of Christian theology is certainly based on fear. But not all of it. And one could argue, for example, that the New Testament specifically emphasises love as the basis and motivation of true religion. Not only that, much contemporary scholarship in Christianity itself criticises a fear-based approach to religion. Or, ‘Christianity is anti-intellectual, anti-scientific.” Yes, fundamentalist brands of Christianity are; but any well-informed person will be able to easily identify many, many segments of Christianity that value intellectual activity and scientific enterprise. In a remarkable irony, after citing all this material on the mythological Christ, White writes: In light of this entire ridiculous repeating of fables down through history that has obviously been used to create all the different criteria for a deity for all the different cultures including the Christian deity and the fact that the few mentions of Jesus from historians came about during a time of rampant forgeries by the early church I must conclude that Pope Leo X hit the nail on the head when he said: “What profit has not that fable of Christ brought us!” – Pope Leo X (p. 96, emphasis in original) The irony? This alleged quote from Pope Leo X is completely inauthentic! For a detailed account demonstrating how this quote is derived from a satirical, anti-Catholic work by John Bale (1495-1563) click here. So one must ask the question: How well did White critically examine what she accepted as she read these works critiquing Christianity? Summary So Road Out of Eden is a mixed bag. The best parts are where White focuses specifically on her own experience, in particular, the emotional dimensions of her upbringing and the impact of that on the rest of her life. Her struggle to come to terms with her belief system and the confinement of legalistic, perfectionistic religion convey a sense of frustration, pain, and courage, as she tries to make sense out of her experiences. If the whole book had focused on this and had the benefit of a good editor, there would be a great book here. But the poor writing and presentation, and the uncritical repeating of secondhand ideas of others, reduces its value and makes it an unreliable guide for anyone else to follow the same intellectual journey.
Bank heist movies are a dime a dozen. But the Ben Affleck-directed The Town stands head-and-shoulders above the rest of them in some important ways.
The Town opens with a number of quotes informing us that Charlestown, a blue-collar neighbourhood in Boston, is a place where crime is a part of everyday life. In fact, it is America’s capital for all sorts of nasty activity including bank robbery. Doug MacRay (Ben Affleck) has grown up in this neighbourhood where a life of crime is passed down from father to son. Doug is the brains behind a group of ruthless gang members who are planning a bank robbery. Doug is desperate to leave Charlestown and make a new life for himself. But his friends expect that never to happen — certainly not until they have made all the money they need.
During the action-packed heist, Doug forces the bank manager, Claire (Rebecca Hall), to open the safe. Because the robbers are all in masks, they are not able to be identified. When the robbers leave the bank, they take Claire as a hostage, covering her head with a bag. Once clear of the bank, they drop her off, head still covered, at a beach, telling her to keep walking until her toes hit the water. She is terrified and traumatised.
But then the gang discover she lives near them in the same neighbourhood. Has she seen too much? Might she recognise them somehow? What is she saying to the tenacious FBI agent who is investigating the crime. One of the gang would rather kill her than take any risks. But Doug wants to proceed with caution. So he tails her to see if he can determine whether she represents any danger to them. Then he goes further and makes actual contact.
And, of course, Doug becomes attracted to Claire and begins to establish a relationship with her. And so begins a tense romance with Doug living in two worlds and the inevitable stress that results. I shall tell you no more … the rest of the movie is premised on this relationship and is set alongside the attempts of the FBI agent to bring the robbery gang down.
The heist narrative of The Town is not really new. If that were all there was to this movie, it wouldn’t be much of a movie at all. What makes it special is that it is character and place driven. The quotes referred to above that appear at the start of the movie, drive home the fact that this story is as much about Charlestown as it about anything. And then there are the characters. Ben Affleck, Rebecca Hall ( The Prestige, Vicky Cristina Barcelona), Jon Hamm ( Mad Men) and Jeremy Renner ( The Hurt Locker) all put in excellent performances and the relationships between them all provide the backbone of the movie. These relationships are sensitively and subtly drawn and we come to care deeply about them, particularly the two leads.
This is the second major film that Ben Affleck has directed. His previous one, Gone Baby Gone was excellent. But in The Town Affleck shows us how much real potential he has, building on the stunning co-writing he did for Good Will Hunting so many years ago. The action sequences are excellent, the dramatic tension palpable, and the cast give us believable characters that are flawed in very human ways. It’s a great movie.
Positive Review
‘A rich, dark, pulpy mess of entanglements that fulfills all the requirements of the genre, and is told with an ease and gusto that make the pulp tasty.’ – Lisa Schwarzbaum/Entertainment Weekly
Negative Review
‘Given the debased standards of action cinema these days this might be enough to make The Town a hit. But almost everything else about the movie is badly off balance, starting with Affleck's decision to cast himself as the implacably sexy and good-hearted Doug.’ – Andrew O’Hehir/Salon.com
It is hard to believe that a 90 minute movie with only one actor and only one location — an old wooden coffin buried underground — could hold one’s attention. But Rodrigo Cortes’s Buried does precisely that. Paul Conroy (Ryan Reynolds) is working in Iraq as a US contractor when he is attacked by a group of Iraqis and knocked unconscious. He wakes up to find himself buried alive in a wooden coffin with nothing but a cell phone and a cigarette lighter. He has until his oxygen runs out to escape. Can he do it? The first seven minutes of Buried are unbelievably tense as we live through the first moments of Paul waking up to his fate. The tension is unrelenting and we wonder how is it going to be possible to do anything with this situation to keep our interest. But just as we are about to give up thinking that this is going to be 90 minutes of monotonous claustrophobia, things start to happen that keep us on the edge until the very last frame (literally!). This movie should have been impossible to make but here it is! And it is brilliant! There are nasty surprises and twists, brilliant acting by Reynolds, and a wonderful script. And everything that happens inside that coffin is absolutely real and believable. I won’t tell you anymore. Go see it. Positive Review ‘In theory, we go to movies for enjoyment. Director Rodrigo Cortés inverts that notion with Buried, a terrific, claustrophobic, fist-clenching film in which he tortures his audience in exquisite fashion.’ – Bill Goodykoontz/Arizona Republic Negative Review ‘Rodrigo Cortes keeps the action bound to the box, limiting his lighting to naturalistic approximations, so that much of Reynolds's performance consists of him grunting and heaving in the dark.’ – Karina Longworth/Village Voice
The moment I began reading Rick Warren's book The Purpose Driven Life I didn’t like it. It was immature, simplistic, theologically inadequate, and ripped biblical verses from their context. But I have come to dislike it even more now I have read Robert M Price’s The Reason Driven Life: What Am I Here On Earth For? Price’s book is a brilliant critique of fundamentalist Christianity as illustrated by Warren’s book. And while Price is responding specifically to Warren, one doesn’t need to have read Warren’s book. Price is an intriguing character. He has been a fundamentalist evangelical, a pastor of a liberal Baptist church, and came to eventually reject theism altogether. Reading his life story, as described in the introduction to the book, one can see he was a very committed fundamentalist Christian practicing as one would expect of a Christian in this tradition — attending church, having daily “quiet time”, training for Campus Crusade for Christ, president of InverVarsity Christian Fellowship, and so on. He has doctorates in theology and New Testament. He describes himself as a humanist and is currently, I believe, a member of the Episcopal Church. Price is also a fellow of the in(famous) Jesus Seminar and sometimes describes himself as a Christian atheist. He has also authored a number of books on the historicity of Jesus which he questions. I recently heard Price speaking on a podcast addressing atheists who, in his view, disrespect the Biblical documents in the way they dismiss them. He argued that atheists need to at least treat the biblical documents with the same regard they treat other great classics of literature such as The Iliad. Instead, because of narrow-mindedness, many of them are blind to the Bible’s beauty and wisdom, even if they do not take it literally or accept the absolute claims made for it by fundamentalist Christians. Hearing how Price spoke in such respectful language regarding the Bible and the deep scholarship and expertise he clearly had prompted me to buy The Reason Driven Life and have a read. And what a read! Price’s essential message is that fundamentalist Christianity is narrow-minded, immature, and unthinking. In forty short chapters (emulating Warren’s book) Price explores the characteristics of fundamentalist Christianity and suggests that they: - are obsessively focused on continual religious activity to the exclusion of living life to the full
- place people in a double bind of valuing the self and denying the self
- deny scientific discoveries and understandings of human nature and existence
- confuse and equate limited human perspectives and interpretations of the Bible with the very voice of God
- take an immature approach to living life and making decisions and, instead, place this responsibility on a god who is constantly intervening even though it makes no sense to do so
- constantly experience anxiety and depression at not measuring up to what is understood to be God’s standards for living and behaviour
- discourage thinking and promote the need to adopt the absolute truth as understood by the denomination or church
- require conformity to the group rather than development of individuality and uniqueness
- construe as heretical any position that does not conform to denominational creeds and reject independent thinking
- use friendships and other relationships for evangelising rather than experiencing these for their own value
- and much more…
Price most definitely has a point! Anyone who has grown up in, or lived in, any religious group that leans towards a fundamentalist milieu will have experienced many of these things. Thinking — real, genuine, independent, critical thinking — is not high on the agenda. And many fundamentalist Christians, under the guise of faith in God, live lives of egocentric wish fulfilment. For many, God is more interested in them getting a car park or finding their keys than rescuing the millions of men, women, and children who suffer natural or moral disasters around the globe. Or God is mostly concerned about correct belief, defined by them, than about genuine loving of others. There is an enormous amount of benefit in reading Price’s book. One of the most liberating paragraphs is found in the introduction where he says that he …does not much care what you end up believing, partly because you should not jump to conclusions. Part of living the reason-driven life is that you no longer feel the false urgency to make up your mind right now what you believe. You realize you are not under any deadline. Nor are you likely ever to arrive at some definitive truth. Your thinking about the meaning of life will be an ongoing project, its own reward. And the conclusions you do reach will be tentative and always open to revision in light of new insights you may encounter. This is, indeed, a liberating position to take in life. One of the features of fundamentalism is a constant need to be certain. The degree of certainty one feels is often made a matter of life and death. But with maturity comes an approach to living that does not require certainty about everything. Living with uncertainty and adopting one’s right to think for oneself rather than being told what to think is sometimes painful but always liberating. For some Christians reading Price’s book, there will be many things unacceptable. For example, Price denies the historicity of Jesus and the reality of a personal God. In his view, there is inadequate evidence for either. He deeply respects people’s right to believe in either or both and he associates with Christians, even to worshiping with them and identifying himself as an Episcopalian. At times, he has accepted the term ‘Christian atheist’ to describe his perspective although he prefers to be called a humanist. The Reason Driven Life is a fascinating book by a fascinating author. His essential critique of fundamentalist Christianity (his primary target) is often apt and accurate. Despite different readers probably rejecting some parts of the book and some of his ideas, it’s a good wakeup call to fundamentalist Christians to start thinking more seriously about their religion and their faith.
The way we construct our images of people when we can’t see them is always dangerous. When the reality appears, it can be devastating. The reality is rarely, if ever, as we imagine and we are often disappointed and struggle to come to terms with that reality.This is the central theme of the delightful New Zealand movie Boy written and directed by Taika Waititi. Boy (Janes Rolleston) lives on a farm with grandmother, younger brother, Rocky (who believes he has magical powers which killed his Mum), and a goat called Leaf. When Gran leaves for a week to attend a funeral Boy is left in charge. Boy’s father, Alamein (played by Taika Waititi) turns up after being released from prison. He and his mates have formed a gang of three and are looking for some money from a previous robbery buried in one of the paddocks of the farm. During the absence of his father, Boy has imaginatively built his father into a hero of larger-than-life proportions. Of course, the reality is very different than Boy’s larger-than-life picture and, while he struggles to maintain the wish he has for his father to really be a hero, the reality gradually sinks in that his father is nothing more than a loser. Boy is a delightful story filled with humour and sadness, joy and pain. The soundtrack tends to dominate a bit at times, but the characters are quirky and endearing and the struggle to come to terms with reality are wonderfully represented. The cinematography is just as one would expect from a New Zealand landscape but the buildings reflect the themes of the movie as they undermine the beauty of nature — the tension between idealised fantasy and everyday reality are a constant undercurrent in the film. The poster for the movie is iconic of the story — innocence, beauty, humour. It’s a heart-warming narrative that takes you through heartache before a beginning maturity that can tackle reality headon arrives for Boy. The movie’s unassuming nature makes it unlikely to appear in mainstream cinemas. But, if it comes to a cinema near you, don’t miss it. Technorati Tags: "Boy", movies
I have been attracted to Ayn Rand's philosophy for quite some time. This interest was originally triggered by reading one of her novels for which she is very well known — The Fountainhead. Her other novel, Atlas Shrugged, I’m yet to read. And I have read a couple of other books on her philosophy plus some internet-based material. It’s been difficult to find something that simply summarises her ideas with authority — until now. Andrew Bernstein’s Ayn Rand for Beginners is an excellent, easy-to-read, simple, and comprehensive introduction. He begins by introducing us to the Russian-born Alyssa Rosenbaum (who later changed her name to Ayn Rand) who, at the age of six, taught herself to read. At nine, she decided that her career was going to be writing fiction. Following the Bolshevik Revolution and the confiscation of her father’s pharmacy and years of severe poverty, Rand escaped to America at the age of 21 and stayed there for the rest of her life. Bernstein takes us from that point on her journey writing movie scripts, plays, and a novella until, in 1943, she published The Fountainhead after seven years of writing and rejection from multiple publishers. He then describes the rest of her life of writing and the development of her philosophy. Bernstein then takes us on a brief journey to meet the main characters and the major themes of her two novels. This is followed by a chapter on the development of Ayn Rand’s philosophy, a chapter introducing the reader to her main ideas, another chapter going a bit deeper into her philosophy, and finishes with a discussion of the modern movement which keeps her ideas alive and disseminated. Ayn Rand called her philosophy objectivism. According to Rand, values provide the meaning to life. The values an individual holds motivate all their actions. For Rand, the highest good was the pursuit of one’s values and she considered that a person should do so ‘selfishly’. She did not mean selfish in the common sense we use it. Instead, she believed that if a person focused completely on living by their values it would result in genuine care of others because of the values that would result from that care. She held that human life requires the achievement of values and that they should not be sacrificed for any other cause. For her, the best thing one could do was encourage others to achieve their own values and considered it morally wrong to sacrifice what is important to oneself for others. A rational human being who is working for their own happiness naturally loves others to achieve one’s own happiness. So other people then benefit from a ‘selfish’ approach to the pursuit of personal values. Helping others is a personal choice (rather than a result of an obligatory command). Helping of others cannot be good if it is not the result of personal choice. For Rand, genuine love and care for others, then, is a result of self-interest and thus chosen rather than imposed. It is, therefore, a paradox that ‘selfishness’ leads to genuine care of others because of the mutual benefits that result. And where do values come from? They should be derived from objective, rational thinking on the basis of evidence (hence the term objectivism for her philosophy). It is here that Rand comes into conflict with much religious thought which usually bases values on revelation from a god or gods. For her, these values are imposed and accepted by faith rather than derived from empirical evidence. As a result she rejects any form of religion. In a secular society (which Western cultures are rapidly becoming/have become), it is not appropriate that values derived from a particular religion are imposed on the rest of society. An objectivist approach may provide common ground for exploring values in society. With increasing religious tensions within multicultural societies, this may be something we need. The challenge, of course, is to find objective bases on which to derive values that are a priori believed on faith. Many Christians won’t be willing to move to this approach because of the absolutist approaches to morality that is considered to be part of Christian foundational belief. It may also mean the jettisoning of some values that have no basis in any evidence. In this brief review, it is impossible to do justice to Rand’s philosophy. I’m only learning about it myself. But if you want a plain introduction, then Bernstein’s Ayn Rand for Beginners is a good place to start. Bernstein clearly has a deep understanding of Rand’s thought and approaches it with respect and balance. Rand’s philosophy is fascinating, fresh, and provocative. Definitely worth a look!
Last year (2009) was the bicentenary of Charles Darwin’s birth and the 150th anniversary of his world-shattering book Origin of Species. Many Christians, particularly those on the conservative end of the spectrum, have had a very difficult time with evolutionary theory as it is considered, by them, to completely undermine the biblical narrative of human origins. In the book Darwin, Creation and Fall: Theological Challenges, we have a fascinating exploration by a group of scholars who are conservative evangelicals and who accept the current consensus of scientists on the evolutionary origins of humans. Now that is interesting! The two editors of the book come from different disciplines. R J (Sam) Sperry was Professor of Genetics at University College London 1984-2000. T A Noble is Senior Research Fellow in Theology at the Nazarene Theological Seminary in Kansas City. They have gathered a number of writers who, in this volume, explore the relationship between the biblical account of origins and Fall in Genesis 1-3 and the contemporary understanding of origins as articulated by the theory of evolution. Each of the contributors to the book takes a particular aspect of the issue and describes, and attempts to resolve, some of the challenges once one accepts the biblical documents as authoritative and the modern consensus on evolution. The book begins with a chapter that sets the doctrine of creation in the context of worship of the Creator. This is followed by a historical survey of Darwin’s struggle to come to terms with his scientific discoveries and their theological implications. The next chapter takes a look at Darwin himself and the theological challenges that arose for him as he worked on his science. Another chapter revisits the early chapters of Genesis and discusses the issue of interpreting this text. Following this is a discussion of the concept of original sin and provides some fresh perspectives on the doctrine of the Fall. The last two chapters engage with two theologians — one ancient (Irenaeus) and one modern (Henri Blocher) who have contributed significantly to the discussions of the Fall, original sin, and theodicy. In the epilogue to the book, the authors affirm the following: - An insistence that as new information emerges, Scripture, whilst God-given and authoritative, must be re-examined and may require reinterpreting. Christians of a former age had no doubts that the sun moves round the earth and supported their ideas from the Bible …; nowadays we unhesitatingly interpret the passages which seemed to speak of a fixed earth in other ways.
- An awareness of the compelling genetic and fossil evidence that human beings have descended from an ape-like line, and that we are therefore related to other living beings.
- The uniqueness of human beings as the only creatures made in God’s image, albeit ‘fallen’ so that life in fellowship with God is now only possible because of Christ’s redeeming and reconciling death. (pp. 197-198)
The authors conclude that they have arrived at a ‘…position which seems impossibly conservative but also surprisingly radical.’ (p. 198) They warn of the danger of ‘…rush[ing] too quickly to conflate the narrative of human origins and Fall in Genesis and the narrative of human origins given by modern science’, and they acknowledge the necessity of each discipline (science and theology) maintaining their own integrity with each contributing different perspectives on the issues. They arrive at the hypothesis that: Our prehuman ancestors cannot be called immoral (let alone ‘sinful’) on the grounds that they killed, deceived, behaved promiscuously, and so on. But when God created the first humans, apes now in God’s image, or Homo divinus as John Stott has called them, these creatures, since they were now brought into this unique relationship to God, became moral agents. Although they shared many inherited — including behavioural — traits with their ancestors and animal relatives, this did not mean that they were dependent on or determined by them. Sociobiologists fall into the naturalistic fallacy when they argue that human ethical norms are no more than correlates of our evolutionary history. But the new relationship to God, being in his image, which led to new moral possibilities and responsibilities, was followed by a failure to believe and obey God, and consequently a failure to grow into the spiritual and moral greatness we were meant to exemplify. (pp. 200-201) This hypothesis demonstrates how deeply radical and conservative the authors’ position is. The main benefit of this book, though, is not so much in the position they arrive at (which, of course, needs to be discussed, evaluated and critiqued) but more in the model it presents for conservative and liberal Christians in engaging both with science and with scripture. It demonstrates an approach which moves beyond dogmatism and the conflation of interpretations of the Bible with what the text may, in fact, authentically mean. In the concluding paragraphs of the book, the authors write that It is our conviction that there is no conflict between Holy Scripture and modern science. Indeed the Christian doctrine of creation provided the ground for the rise of science. The idea that Christian faith and science are in conflict and always have been is a myth propagated by Humanists for ideological reasons, but sadly they are helped by sincere Christian believers who think they are defending Holy Scripture when in fact they are doing nothing more than defending interpretations of Holy Scripture which are sadly inadequate. That does not mean to say that all the questions are answered, all the problems settled and all the mysteries resolved. That is never the case in either theology or natural science! Both are ongoing quests for deeper understanding. (p. 204 – emphasis in original) Darwin, Creation and the Fall is going to be very tough reading for conservative Christians. Undoubtedly, many will accuse the authors of heresy and blasphemy. If they do, then they will not have seen how deeply committed the authors are to the Bible and to God and how they are determined to give due weight to the biblical text as well as due weight to what we now know about human origins from a scientific view. And, undoubtedly, there will be those who see these authors as doing nothing more than trying to rationalise their religious beliefs in order to legitimise what many atheists see as an outmoded, irrelevant, and even immoral, system of belief. But for those of us who want to affirm our commitment to God and struggle to understand that commitment in the context of what we now know from science, this book will be a fascinating journey that, as the authors say, won’t answer every question, but will provide the opportunity to hear from others about a way forward in resolving an unnecessary conflict between faith and science. For anyone interested in these questions, and who are not afraid to think in new ways, this book is essential reading. Book deteails: Berry, R. J., & Noble, T. (Eds.). (2009). Darwin, Creation and the Fall: Theological Challenges: Apollos.
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