Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Sunday, August 12, 2012

Book Review: The Valley of Unknowing

I really enjoyed Philip Sington's The Valley of Unknowing. Set in Communist East Germany just before the fall of the Berlin Wall, Bruno Krug is handed an anonymous untitled manuscript for his evaluation which he later discovers is authored by a rival writer. The manuscript is excellent but its ambiguity can also be interpreted metaphorically as a strong critique of Workers' and Peasants' state. What should he do?

At the same time, he falls for an attractive music student from the West and somehow she may be tied up with the author of the manuscript. Bruno decides to engage in a small deception in order to have the book published - but deception is a dangerous game and can have devastating consequences in a state where the distinction between deceiver and deceived can be a life and death situation.

The Valley of Unknowing is a gentle, subtle thriller - unsensational but compelling. I kept turning the pages to see how it was all going to turn out. The author uses language beautifully and the story has been informed by his wife's memories of actually living in the GDR before the Wall came down with the collapse of Communism.

Definitely worth reading!

Book details: Philip Sington. 2012. The Valley of Unknowing. Vintage Digital.

 

Sunday, October 17, 2010

Movie Review: The Town

Bank heist movies are a dime a dozen. But the Ben Affleck-directed The Town stands head-and-shoulders above the rest of them in some important ways.
The Town opens with a number of quotes informing us that Charlestown, a blue-collar neighbourhood in Boston, is a place where crime is a part of everyday life. In fact, it is America’s capital for all sorts of nasty activity including bank robbery. Doug MacRay (Ben Affleck) has grown up in this neighbourhood where a life of crime is passed down from father to son. Doug is the brains behind a group of ruthless gang members who are planning a bank robbery. Doug is desperate to leave Charlestown and make a new life for himself. But his friends expect that never to happen — certainly not until they have made all the money they need.
During the action-packed heist, Doug forces the bank manager, Claire (Rebecca Hall), to open the safe. Because the robbers are all in masks, they are not able to be identified. When the robbers leave the bank, they take Claire as a hostage, covering her head with a bag. Once clear of the bank, they drop her off, head still covered, at a beach, telling her to keep walking until her toes hit the water. She is terrified and traumatised.
But then the gang discover she lives near them in the same neighbourhood. Has she seen too much? Might she recognise them somehow? What is she saying to the tenacious FBI agent who is investigating the crime. One of the gang would rather kill her than take any risks. But Doug wants to proceed with caution. So he tails her to see if he can determine whether she represents any danger to them. Then he goes further and makes actual contact.
And, of course, Doug becomes attracted to Claire and begins to establish a relationship with her. And so begins a tense romance with Doug living in two worlds and the inevitable stress that results. I shall tell you no more … the rest of the movie is premised on this relationship and is set alongside the attempts of the FBI agent to bring the robbery gang down.
The heist narrative of The Town is not really new. If that were all there was to this movie, it wouldn’t be much of a movie at all. What makes it special is that it is character and place driven. The quotes referred to above that appear at the start of the movie, drive home the fact that this story is as much about Charlestown as it about anything. And then there are the characters. Ben Affleck, Rebecca Hall (The Prestige, Vicky Cristina Barcelona), Jon Hamm (Mad Men) and Jeremy Renner (The Hurt Locker) all put in excellent performances and the relationships between them all provide the backbone of the movie. These relationships are sensitively and subtly drawn and we come to care deeply about them, particularly the two leads.
This is the second major film that Ben Affleck has directed. His previous one, Gone Baby Gone was excellent. But in The Town Affleck shows us how much real potential he has, building on the stunning co-writing he did for Good Will Hunting so many years ago. The action sequences are excellent, the dramatic tension palpable, and the cast give us believable characters that are flawed in very human ways. It’s a great movie.
4half-stars
Positive Review
‘A rich, dark, pulpy mess of entanglements that fulfills all the requirements of the genre, and is told with an ease and gusto that make the pulp tasty.’ – Lisa Schwarzbaum/Entertainment Weekly
Negative Review
‘Given the debased standards of action cinema these days this might be enough to make The Town a hit. But almost everything else about the movie is badly off balance, starting with Affleck's decision to cast himself as the implacably sexy and good-hearted Doug.’ – Andrew O’Hehir/Salon.com

Sunday, October 10, 2010

Movie Review: Buried

It is hard to believe that a 90 minute movie with only one actor and only one location — an old wooden coffin buried underground — could hold one’s attention. But Rodrigo Cortes’s Buried does precisely that.

Paul Conroy (Ryan Reynolds) is working in Iraq as a US contractor when he is attacked by a group of Iraqis and knocked unconscious. He wakes up to find himself buried alive in a wooden coffin with nothing but a cell phone and a cigarette lighter. He has until his oxygen runs out to escape. Can he do it?

The first seven minutes of Buried are unbelievably tense as we live through the first moments of Paul waking up to his fate. The tension is unrelenting and we wonder how is it going to be possible to do anything with this situation to keep our interest. But just as we are about to give up thinking that this is going to be 90 minutes of monotonous claustrophobia, things start to happen that keep us on the edge until the very last frame (literally!).

This movie should have been impossible to make but here it is! And it is brilliant! There are nasty surprises and twists, brilliant acting by Reynolds, and a wonderful script. And everything that happens inside that coffin is absolutely real and believable.

I won’t tell you anymore. Go see it.

4-stars

Positive Review
‘In theory, we go to movies for enjoyment. Director Rodrigo Cortés inverts that notion with Buried, a terrific, claustrophobic, fist-clenching film in which he tortures his audience in exquisite fashion.’ – Bill Goodykoontz/Arizona Republic

Negative Review
‘Rodrigo Cortes keeps the action bound to the box, limiting his lighting to naturalistic approximations, so that much of Reynolds's performance consists of him grunting and heaving in the dark.’ – Karina Longworth/Village Voice

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Saturday, March 27, 2010

Movie Review: Girl with the Dragon Tattoo

lisbeth The Girl with the Dragon Tattoo is a brilliant Swedish crime thriller based on the first in the popular Millennium trilogy by Stieg Larsson.

Forty years ago, Harriet Vanger disappeared from a family gathering without trace. Her uncle believes she was murdered by a family member and has been receiving an annual gift of framed flowers from various places around the world. The body has never been found. He employs Mikael Blomkvist (Michael Nyqvist), a journalist who has been convicted of slander and is waiting for his prison sentence to start. He is joined by punk computer hacker, Lisbeth Salander (Noomi Rapace) when events coincide to bring them together. As they investigate the disappearance, they begin to uncover an appalling family history and their lives are placed in increasing danger.

The Girl with the Dragon Tattoo is an incredibly intense, atmospheric crime thriller that is totally engaging with the 2½ hours seeming to go in an instant. The story is superbly developed with the revelation of what is going on at just the right moment.

The standout performance is Noomi Rapace who plays the punk computer hacker, Lisbeth, with great depth and nuance. She is compelling and the personal history and current circumstances of her life are shocking as we learn more about her character's background leading to profound emotional scarring and baggage. Lisbeth is one of the most intriguing, fresh, complex heroines to come along in crime fiction. In fact, the character of Lisbeth Salamander is almost more interesting than the story of the movie itself!

The direction is spot-on with the cold, oppressive Swedish winter providing an apt backdrop to the unfolding events. The music eerily and suspensefully supports the narrative.

I haven't read the book on which this movie is based. But I have to say that, after watching the movie, I'm sorely tempted to do so. The movie is, at times, very hard to watch as much of it is very disturbing — particularly what Lisbeth has to bear to survive her life. One of the core themes of the movie is violence against women and no punches are pulled in representing this. The original Swedish title of the book was "Men Who Hate Women" and is, perhaps, a more apt title for the themes of the story.

The Girl with the Dragon Tattoo is one of the most compelling crime thrillers I've seen in a long time...

5-stars

Positive Review
'A compelling thriller to begin with, but it adds the rare quality of having a heroine more fascinating than the story.' - Roger Ebert/Chicago Sun-Times

Negative Review
'Though Ms. Rapace is a fine professional scowler, with cheekbones that thrust like knives and a pout that’s mostly pucker, she tends to register as an intriguing idea instead of a thoroughly realized character. She more or less looks the part that the filmmakers don’t let her fully play.' -

Manohla Dargis/The New York Times

AUS: MA
USA: R

Saturday, April 07, 2007

Movie Review: Disturbia

imgClearly inspired by Alfred Hitchcock’s Rear Window, directors Caruso and Landon have brought us a slick, on-the-edge-of-the-seat thriller in Disturbia - soon to open in a cinema in your suburb. Kale (Shia LeBeouf), after losing his father in a tragic car crash, becomes withdrawn and depressed and ends up punching his Spanish teacher resulting in Kale being placed under house arrest for three months. He has to wear an ankle bracelet that will send an alarm to the police if he moves any more than 100 yards from the control unit in his house. Kale’s single mother, Julie (Carrie-Ann Moss), finds it increasingly frustrating trying to bring home a living at the same time as dealing with Kale’s increasing moroseness and demotivation. She resorts to cutting off the cable TV and his XBox, eventually forcing Kale to take an interest in the neighborhood outside the windows of his home. It’s an interesting neighborhood. A new family has moved in next door and Kale is besotted with their beautiful daughter, Ashley (Sarah Roemer). In another house is a few pre-adolescent kids who play nasty tricks on Kale, knowing he can’t leave his home, and they spend their time watching pornography on cable TV in their bedroom at night unbeknownst to their mother. And then there is Robert Turner (David Morse). As Kale watches the neighborhood through his binoculars and video equipment, he begins to suspect that Mr Turner might be a serial killer he has heard about on the TV news and who is responsible for the disappearance of a girl the police are looking for. Kale draws Ashley and one of his school friends, Ronnie (Aaron Yoo) into his voyeuristic pastime. Is Kale right about Mr Turner? Or his he just suffering from paranoia brought on by his long term confinement in his house? Disturbia is a very entertaining thriller. Caruso and Landon direct with a steady hand and the script by Christopher Landon and Carl Ellsworth develops the tension in some very unexpected ways. The first completely unpredictable shock in the story comes after some good character development that makes us actually care what happens to the people in the story. And there is a brilliant scene involving a digicam. Disturbia is one of the most "enjoyable" thrillers to come along for a while. I’d put it in the same category as the recent The Descent. So grab some popcorn, head to the cinema, and be prepared to grip the edge of the seat for Disturbia. Don’t hold the popcorn, though. It might go everywhere when you jump out of your seat! My Rating: **** (out of 5) Positive Review ’Cool stuff. Cool movie.’ - Peter Travers/Rolling Stone Negative Review None available yet. Content Warning Sequences of terror and violence, and some sensuality AUS: M USA: PG-13 (on appeal) If you like Disturbia you might also like ...
  • American Beauty
  • Rear Window

Monday, December 04, 2006

Movie Review: The Descent

You may have read somewhere in the hype that The Descent is the scariest movie since Alien. Believe everything you have read! The Descent is a genuine on-the-edge-of-your seat horror/thriller that left me totally exhausted by the end of the movie. A year after a horrible tragedy that led to their separating, a group of six women decide to get back together and go caving in the Appalachian mountains to re-bond and heal emotionally. The only problem is the cave they are exploring collapses and the only way forward is down - hoping they will find another exit to the surface. As they journey further into the darkness, they realise they are not alone! I'm not going to reveal anymore of the story than this because it will spoil the experience of watching a movie that leaves the mindless gore-fests coming out of Hollywood in the shade. The Descent is brilliantly plotted, superbly photographed, and Neil Marshall, the director, has conveyed the intense claustrophobia of a cave as the situation of the women gets more and more dangerous. Not only is there intense suspense, but the plot includes some heart-rending moral decisions and surprising twists, especially at the end (enough said!). So if you want a really genuine suspense/horror/thriller experience, don't miss The Descent. It will have you so breathless you'll feel like you are in a cave yourself! My Rating: ****1/2 (out of 5) Positive Review 'It's the most intense, unpredictable and thrilling cinematic experience I've had the pleasure to squirm through in ages.' - Sean Axemaker/Seattle Post-Intelligencer Negative Review 'Compulsively watchable, with its fair share of effective sledgehammer shocks; it just isn't very good.' - Scott Foundas/LA Weekly Content Advice strong violence/gore and language AUS: MA USA: R